Introduction art critique essay

Overview: The Critique of Judgment begins with an account of beauty. The initial issue is: what kind of judgment is it that results in our saying, for example, 'That is a beautiful sunset'. Kant argues that such aesthetic judgments (or 'judgments of taste') must have four key distinguishing features. First, they are disinterested, meaning that we take pleasure in something because we judge it beautiful, rather than judging it beautiful because we find it pleasurable. The latter type of judgment would be more like a judgment of the 'agreeable', as when I say 'I like doughnuts'.

This is a lecture course presented at the University of Freiburg during summer semester 1942. The course is split into three parts. First Heidegger looks for metaphysics in "The Ister", then he returns to a passage of Sophocles' Antigone he had used, more briefly, in a 1935 course, Introduction to Metaphysics . Finally he examines more of "The Ister". Hölderlin's poems have been translated especially for this book, to help understand Heidegger's interpretation of the German.

Foucault gives us an indication of what he means by virtue in the introduction to The Use of Pleasure: The History of Sexuality, Volume Two. [6] At this juncture he makes clear that he seeks to move beyond a notion of ethical philosophy that issues a set of prescriptions. Just as critique intersects with philosophy without quite coinciding with it, so Foucault in that introduction seeks to make of his own thought an example of a non-prescriptive form of moral inquiry. In the same way, he will later ask about forms of moral experience that are not rigidly defined by a juridical law, a rule or command to which the self is said mechanically or uniformly to submit. The essay that he writes, he tells us, is itself the example of such a practice, “to explore what might be changed, in its own thought, through the practice of a knowledge that is foreign to it.” (9) Moral experience has to do with a self-transformation prompted by a form of knowledge that is foreign to one’s own. And this form of moral experience will be different from the submission to a command. Indeed, to the extent that Foucault interrogates moral experience here or elsewhere, he understands himself to be making an inquiry into moral experiences that are not primarily or fundamentally structured by prohibition or interdiction.

Introduction art critique essay

introduction art critique essay


introduction art critique essayintroduction art critique essayintroduction art critique essayintroduction art critique essay