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Richard Attenborough's much-Oscared movie Gandhi struck me, when it was first released, as an example of this type of unhistorical Western saintmaking. Here was Gandhi-as-guru, purveying that fashionable product, the Wisdom of the East; and Gandhi-as-Christ, dying (and, before that, frequently going on hunger strike) so that others might live. His philosophy of nonviolence seemed to work by embarrassing the British into leaving; freedom could be won, the film appeared to suggest, by being more moral than your oppressor, whose moral code could then oblige him to withdraw.