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Tolkien argued powerfully that, for the Germanic mentality that gave birth to the myth of Ragnarök , the monsters of the poem were the only appropriate enemies for a great hero, and thus shifted Beowulf from the irrelevant fringes to the very centre of the Anglo-Saxon thought world. This naturally encouraged a pre-existent tendency to square the poem with what else was known of the 'serious' levels of Anglo-Saxon thought - chiefly the Latin scholarship of the Church. Secondly, Tolkien went far towards vindicating the structure of the poem by arguing that it was a balance of contrasting and interlocking halves. His thesis not only convinced many critics but inspired them to follow his example, with the result that Tolkien's own position has been outflanked. Whereas previous generations of scholars, Tolkien included, had been quite prepared to explain what they considered structural and stylistic blemishes as interpolations, modern writers seek evidence of artistic refinement in some of the poem's least promising features.